Two objects that may or may not go together.
Two objects that are distinct, but related.
Two objects roaming the earth in search of each other, like mythic lovers navigating the global network of book distribution, tracking, and sales
In this volume, artist Joe Scanlan’s magazine columns from the past fifteen years have been gathered as one long, picaresque narrative in which democracy plays the dishonest but amiable lead role, from the Lumière Brothers’ use of their employees in the making of the first film to Tino Sehgal’s use of museum visitors in the production of his art. As Scanlan writes: Once again we regress to the familiar, not on the basis of its merits but because it puts the most people at ease. However vexed we were by modernist ideology, the products resulting from the current consensus-based, consumer-driven service economy are really starting to depress me. I miss having to accept something whether I like it or not, if only for the bits of stunning genius that single-mindedness made possible. Consumer culture, where is thy victory? Product, where is thy sting?
Which begs the question
It all started 100 years ago when
On the one hand
On the other hand
Which reminds me
That is why
Speaking of stylists
That being said
Once upon a time
This book, designed by Dexter Sinister, is made up of the larger object and the smaller object. 96 of the pages in the larger object are cut out, creating a space in which the smaller object fits.